The Perfect Cafe Playlist

24 February 2009
Kash Cafe, Surry Hills, Sydney

Kash Kafe, Surry Hills, Sydney

The following plug won’t make any sense to people who don’t frequent the Surry Hills suburb of Sydney, but I’ll go ahead anyway. I’ve become friends with the proprietors of my favourite cafe, Kash Kafe, and it has given me the opportunity to devise a solution for someone with different needs to my own, which has been refreshing.

Let me make a number of assumptions: you play music only (no other audio type and no video). You use an iPod connected to an audio system that has a remote which gives you control over play/pause, fast forward/skip and rewind/skip back. The iPod is of reasonable capacity, i.e. 20Gb or more.

Let’s start with the desired music style. What do you want to play at your cafe? Chillout? Doof-doof? Rawk? Decide on a style. If your music library consists of nothing but that style, you won’t have to think about this first step.

Once you’ve decided on a style, you’ll need to filter that style of music out of your library. Easiest way to do this is by genre. For example, if you want chillout music, your first criteria will be Ambient, Electronic, R&B, etc. This is highly subjective (refer to my previous post on genre) but use whatever works for you. The selection will get more accurate over time.

The next factor is frequency. You don’t want to hear the same song every day, so we include a time-based criterion which excludes songs played within a certain timeframe. If you’ve got a lot of music, make it a month. If less, perhaps 1 week. While playing the playlist, if you notice that songs repeat a little too often, increase this timeframe. I’m assuming that a mixture of music, i.e. randomised, is desired.

You’ll want at least a day’s worth of music, so err on the generous side and specify 2 hours more than your open hours. If you don’t sync your iPod daily, then add one day’s worth for every day you don’t sync. For example, if you take your iPod home for syncing every 3 days, and each day you open for 6 hours, then you need 8 hours per day for 3 days = 24 hours.

Your selection of tracks won’t be perfect initially. Occasionally a raucous number will impinge on your quiet or a slow song will interrupt a perfectly thumping good time, depending on your taste. We need a mechanism to exclude these over time.

On top of it all, perhaps you only want songs that are above a certain rating. This presupposes that you have taken the time to assign ratings to a sufficient percentage of the songs to make it worthwhile, not easily done in a busy cafe! However, using a technique I will outline, you can get a general approximation of rating over time.

The Key

The key to my proposed system is the use of the forward skip functionality on the iPod. If you skip forward, this fact is recorded on the iPod and after syncing, in iTunes. The date and time the track is skipped and an incremental count is stamped on the song. From this information, certain assumptions can be made. The first is that the song is not liked or is not suitable for playing in the cafe. A small margin of error needs to be included to account for incorrect button-pressing or mood swings. If the skip count rises above a certain number, we can assume that you don’t want that song to appear in the cafe again.

Secondly, the lack of Skip Count but high incidence of Play Count (the song has played from start to finish) indicates that you like the song or that it is appropriate because you didn’t skip it.

Over time, songs that have been played through a certain number of times but skipped below a number of times are candidates for rating, which can be done on a number of songs in one action.

The busy cafe operator does not have time to rate songs on the fly nor to make decisions beyond “I don’t want to hear that now”. The skip forward button is all they need to increase accuracy over time.

The System

A set of Smart playlists are employed as it can’t be done in one playlist in iTunes.

Begin by creating a new folder called Cafe (File > New Playlist Folder) to keep these playlists together and organised.

The first playlist is entitled Cafe Music Genres. The purpose of this playlist is to gather together all the songs with the genres you want. The other playlists will use this pool of songs from which to create a day-to-day playlist. Select New Smart Playlist… from the File menu and configure thusly:

Cafe Playlist Source (Click to enlarge)

Cafe Music Genres Playlist (Click to enlarge)

The second playlist is called Cafe Music. This playlist adds the other criteria we need to produce the playlist that you sync to your iPod on your routine. Here I’ve assumed a moderate library (5000 songs) for a one-week repeat cycle and an 8-hour selection, which is assuming that 8 hours is a day’s worth and the iPod is synced daily. I’ve also filtered out any music videos that you might have, because you won’t be watching video. The Music Videos playlist is preconfigured when you install iTunes.

Cafe Music Playlist (Click to enlarge)

Cafe Music Playlist (Click to enlarge)

Additionally, the following playlist will show you all the unrated songs that you “like” (based on number of times fully played and a low number of skips). Select all the songs and select File > Rating > (desired rating) to rate them all at once. They will disappear from the playlist as they have now been rated. You can check this from time to time as songs appear.

To Be Rated Playlist (Click to enlarge)

To Be Rated Playlist (Click to enlarge)

Here is your neat little package of playlists. Click each playlist and drag it into the folder:

Cafe Playlist Folder

Cafe Playlist Folder

Once you’ve set up the system, other than a small amount of tweaking at the start, it should be good to use daily without further interference. I hope this system inspires operators of cafes and similar environments (hairdressers, restaurants, etc.) to provide a better mix of music.


Managing the iTunes Plus Upgrade Process

3 February 2009

If you haven’t modified any of the tags for the music you previously bought from the iTunes Store, then the tags for the Plus replacements should match. The Plus tracks will have a new Date Added but otherwise will appear the same. The average user will be unaware of the change.

Fiddlers like myself will get into trouble if they simply do an upgrade as the tags won’t match. I always make sure my purchased music has a release date, that the album name and track number is correct (free song-of-the-week titles are usually wrong). I complete the tagging of music videos (usually they have a name and little else). I may replace the album art with one of my superior scans. You get the idea. Here are my recommendations for upgrading, all of which I followed in my own recent upgrade.

Download on a Different Computer or Library

My library is on my desktop machine. I downloaded on my laptop, which I use as a workspace to tag music before I merge it with the main library. The laptop is authorised for my iTunes Store account as is the desktop. The songs to upgrade are tracked by the Store from its own records, not based on the presence of any tracks in the library you are working with, so you can download to a different computer, even if the original songs are not there.

Alternatively, if you don’t have a secondary computer to work with, you can create a new, separate library to download to. Quit iTunes, then relaunch while holding down the Option key (Mac) or Shift key (Windows). This will bring up a dialog where you can choose an existing library or create a new one. Create one on the desktop for ease of finding in a later step. Log into the iTunes Store, click the iTunes Plus link, buy what you want (you can select what you want to upgrade now–you’re not forced to upgrade everything) and download it.

Merging with the Main Library

In this step you’ll add the new files to the existing library for checking against the originals.

If you’re using the double-library approach, quit iTunes and relaunch while holding down Option or Shift. Choose the main library. Once iTunes has launched, create a new static playlist called iTunes Upgrade. Open the iTunes library folder on the desktop. Burrow down to the iTunes Music folder and drag that folder into the new iTunes Upgrade playlist. If you downloaded on another machine, get the files across by any convenient method and drag into the playlist. As soon as one track has finished copying, hold down the Command key (Mac) or Control key (Windows) and click the checkbox next to the name. This will uncheck all the tracks and prevent them from being synced to your iPod or Apple TV before you’ve finished editing them.

Editing the Tags

Now you’ve got two sets of files: the original 128kbps protected files and the new 256kbps Plus files. Sort the playlist by Album and find the first album in the main body of the library. Change the tags of the Plus song to match that of the Protected song if necessary.

Empty the trash. Click the Plus song and delete it. Don’t empty the trash. Right-click the remaining original protected song and select Show in Finder (Mac) or Show in Windows Explorer (Windows). This will open a window with the actual file location of the song. Drag the Plus file out of the trash and put it in the song folder. Throw the protected file in the trash and empty it.

Now you’ve broken the link to the song in iTunes because you’ve deleted the file but not the database record. We do this to preserve the Date Added value, because this cannot be changed unlike other values such as Date Last Played.

Click on the song and Get Info. iTunes will tell you it can’t find it and ask if you want to locate it. You do. Navigate to the Plus version in the original location and click the Open button. Now you’ll see the Get Info dialog for that song. iTunes will also update the record to reflect that the song is now 256kbps but other metadata such as Last Played, Play Count, Rating and of course, Date Added are unchanged.

Special Considerations

This is the main procedure. You may find that the original tracks are no longer available and you may be offered an alternative, or (theoretically) they will be ignored in the upgrade process. For more on this, refer to my earlier post.

Be careful with the Finder/Explorer hack, especially the step where you choose the “lost” file. If you choose the wrong one you’ll change the record in iTunes and you’ll have a duplicate on your hands. Fixing it is messy. You would have to select the two duplicate records and delete them, which will put the file in the trash. Drag it back into iTunes and you’ll recover it to the original album, but you’ll lose all that lovely metadata for both the original song and the one you were trying to map. You’ll have to also drag the song you were trying to map to into iTunes.

Summary

I’ll admit that it’s a bit of work and if you have bought an awful lot of songs it probably isn’t worth it, but for perfectionists like myself who haven’t bought much, I think it’s a good idea from the perspective of maintaining valuable metadata.


My New Movie Server

13 January 2009
PowerMac G5

Photo © Apple Computer, Inc.

I’m lovin’ my new movie server. The PowerMac G5 is still a good machine for recording and playing back video. Principal advantages are its two drive bays for RAID-striping up to 2Tb and built-in 5.1 audio support over TOSLINK optical audio. Finally mine is doing more than just EyeTV recording and transcoding to MPEG 4 for Apple TV.

For years I had been plotting to use my G5 in this capacity but the problem was the video connection. I tried an adapter to go from DVI to component, as my TV’s best input is component (too old for HDMI), but despite reported compatibility with my video card, I could only get 800 x 600 resolution. Then my friend pointed out the obvious: stop striving for the pinnacle of video quality in favour of something that actually works, and get Apple’s own DVI to Video adapter. Instant solution. Now I’m living the dream.

It hasn’t replaced my Apple TV, which is still the keystone of my entertainment system. I have found that it is notoriously difficult to get good results in converting DVD to MPEG 4, so I’ve limited this process to TV only, for which the benefits of fully tagged separate episodes outweigh any slight loss of quality. Considering that a movie can be stored on a hard drive in the exact same format, and thus with no loss of quality, it is worth keeping movies in this way. I use Front Row, part of Mac OS X 10.5 “Leopard”, as my interface to the movies.

To save space, and as the movie itself is the main thing you will want to play, I extract the movie itself from the DVD and discard the rest. I have used MacTheRipper to rip as “main movie only”, but it produces lousy results (often crashes after ripping and the movies crash DVD Player if fast-forwarded), so I have started to use a Windows app, DVDFab Decrypter, exclusively. This app is stable and produces error-free rips. Most impressively, it also overcomes a lot of copy protection that MacTheRipper can’t cope with. Examples: Garth Marenghi’s Darkplace (ARccOS copy protection), The Dark Knight (Warner deliberately “damaged” the disc to prevent copying). The result is a separate folder for each movie containing a VIDEO_TS folder and sometimes an AUDIO_TS folder as well. In this movie folder, put artwork for the movie from your own scans or the internet. impawards.com is one of the best sources. The image file must be called Preview.jpg (case sensitive). Front Row uses this file as artwork to illustrate the movie. It interprets a movie folder as a discrete unit, as if it were a single file with embedded artwork.

I store the movies in the following subfolders in the Movies folder in my local account:

  • Movies: For movie-only movies.
  • Music Videos: Even though I rip all music videos for iPod so that I can take them with me, some DVDs warrant the respect they deserve in terms of video and audio quality, like concerts. This folder houses the more quality-critical DVDs for home viewing. The folder structure for this folder is Artist/Title. The Title folder is the DVD folder itself, e.g. ~/Movies/Music Videos/Flaming Lips, The/UFOs at the Zoo.
  • Short Films: Some DVDs consist of a number of short films, like Wallace and Gromit. I rip the films separately and put them here.
  • Special Features: When I buy a DVD, I rip the whole of a bonus DVD for convenient access. I delete the DVD folder when I’m finished with it to free up space.
  • _Spillover Video: This is actually an alias. I have 2 x 320Gb drives in the G5 but this is not enough. As a temporary measure, I am using some space on an external FireWire drive on my other desktop. Simply mount the drive as a share, then create an alias to the spillover movie folder in the Movies folder in your local account. The share will be mounted whenever you boot. Of course, the other desktop must be online to be able to access that content. When 1Tb drives drop in price, I will buy two and replace the two 320Gb drives currently in the machine.

There is a caveat with Front Row: If you put a series of movies into a subfolder, such as Dirty Harry, the folder will appear at the bottom of the list. There is no good reason for this, but you might not think to look at the bottom for a movie series. An alternative approach is to rename the movie folders with a prefix, such as Dirty Harry 1 | Dirty Harry, Dirty Harry 2 | Magnum Force, Dirty Harry 3 | The Enforcer, etc. I use a pipe character | instead of a colon as the colon is a reserved character in Mac OS X.

Also, any folder starting with The, A or An will of course be incorrectly alphabetised. I put the article at the end, e.g. Golden Compass, The.

To control Front Row, I use Leopard’s screen-sharing feature with my laptop, then navigate using the arrow keys. This makes the laptop hot as it’s constantly refreshing the sharing window, so I tend to quit Screen Sharing once I’ve got the movie going. I’ll have to get a remote for playback. You can’t totally give up a keyboard and mouse as you need to be able to do operations like copying files, trimming the length of EyeTV recordings, etc. Sharing the screen is perfect because you don’t have to supply a keyboard and mouse for the machine.

In addition to running Front Row, I still use the machine to record TV with EyeTV, but I no longer have to transcode for Apple TV. It’s a revelation to simply play a recording. Sometimes I start watching it before it’s finished recording. Sometimes I even watch live TV!

There’s a lot to be said for the movie server. An older machine with plenty of storage makes a great complement to Apple TV, which can concentrate on movie rentals, TV shows, music and podcasts.


Anamorphic Video on iPod

26 November 2008

I’ve been experimenting with anamorphic video. I read after the the 2007 models came out that they supported anamorphic video, so the maximum matrix of 640 x 480 pixels can be used to squash a widescreen video with an anamorphic flag, so the iPod, iTunes and Apple TV would interpret it as roughly 855 x 480 pixels. Obviously the iPod would have to shrink this to 320 x 160 or so for its built-in screen.

Problem is, the results are disappointing. These two screenshots are from the same content and the exact same frame, Lemon Jelly’s ‘64-’95 DVD:

'64-'95 DVD (720 x 400)

Lemon Jelly: '64-'95 DVD (720 x 400) (Click to enlarge)

'64-'95 DVD (854 x 480)

Lemon Jelly: '64-'95 DVD (854 x 480 anamorphic) (Click to enlarge)

Lots of ugly artefacts in the anamorphic version. There are also frequent failures to resolve detail, with the effect that spots of the video suddenly go out of focus for a few frames. Movement has the occasional judder or skip. These are all present in non-anamorphic iPod rips, but far less frequent or noticeable.

I also did test rips of Sigur Ros’ Heima. What’s most disturbing about the results is the fact that the source in both cases is pristine, some of the highest bitrate, cleanest, most perfect DVD I’ve ever seen. If I ripped trash as anamorphic, the effect could only be more pronounced.

So I don’t think anamorphic is for me, despite the unassailable coolness this brings, especially as the increased resolution makes it more attractive for both iPod and computer/Apple TV use, perhaps leading to one version, not two.


Squaring Up Your Album Art

21 October 2008

For some time, iTunes has preferred square art. I first noticed this when the iTunes Store went live here in Australia. iTunes Store versions of landscape art would be modified to be square. In some cases, they appeared to be using a square cover from perhaps a vinyl single, in other cases, the artwork was chopped.

As a CD collector, I get a number of landscape covers in the form of CD singles, digipaks and slipcased jewel cases. About two years ago I began to produce square versions of landscape covers. If I want to be intellectual about what I do with my scanning, I would call myself a “reproduction artist”, “translating the artist’s vision from CD cover to digital image form”. I do try to reproduce, as accurately as possible, the full image and colour balance of the original. That means I scan the full landscape cover, for purists. However, given Apple’s products’ propensity to favour square art has led me to modify the landscapes into additional square forms. The iPod will either crop a landscape cover or add white bars to top and bottom. The iPhone will add the unsightly bars:

AC/DC • Black Ice Landscape Artwork on iPhone

AC/DC • Black Ice Landscape Artwork on iPhone

If possible, I merely crop either side down from 1130 x 1000 to 1000 x 1000. In some cases, this would crop text, so the elements need to be reworked. Here I’ve scanned the digipak version of ‘74 Jailbreak:

AC/DC • '74 Jailbreak (Digipak Landscape) (Click to enlarge)

AC/DC • '74 Jailbreak (Digipak Landscape) (Click to enlarge)

To create this square version, I cropped the left side and shrank the artist name and title slightly to fit:

AC/DC • '74 Jailbreak (Square Version) (Click to enlarge)

AC/DC • '74 Jailbreak (Square Version) (Click to enlarge)

This is a somewhat complex cover. In most cases, you can just crop. I also refer to images on the internet to get an idea of what to modify in order to achieve a square shape. Luckily, a lot of titles still come out on vinyl, and of course they are square.

So with a little artistic licence, I can create artwork that is optimised for iTunes, iPod, iPhone and Apple TV. I post both versions on my album art site.


Uses of the iPhone for Photo Management

20 October 2008

I don’t often talk about photos but have been experimenting with a use of the iPhone for photo management. I have a nice camera that takes good photos, but it doesn’t have GPS. When I was at Sculpture By the Sea yesterday, I began each shoot of a particular work with a photo from the iPhone. The purpose of this photo was to record two pieces of information: the GPS coordinates and the number marker so that I could look up that work in the catalogue for tagging the photo in iPhoto. I wanted to avoid this marker in any photo I took with the camera but still needed to know what it was. Here are the two photos:

“On the Beach” (Tim Kyle) (iPhone Version)

“On the Beach” (Tim Kyle) (iPhone Version) (Click to enlarge)

“On the Beach” (Tim Kyle) (Camera Version)

“On the Beach” (Tim Kyle) (Camera Version) (Click to enlarge)

I didn’t bother with aesthetics for the iPhone photo such as composition, as it was performing a strictly documentary role. As a result, all of them looked awful except for this one, which was passable. I found it easy to pull the iPhone out for the reference shot, partly because I keep mine in a holster, and partly because I took about 10 photos of each piece, so I wasn’t handling both cameras all the time. I can see that this won’t always work, but it’s a way to add GPS data to your photos if you don’t have one built in. The camera in the iPhone is unsophisticated but I find it great for two purposes. Firstly, quick and dirty recording of data, such as the above, and things I see such as DVDs I want to buy. Quality is of no concern with this usage. The other usage is aesthetic art, which is a challenge given the limitations, but no less worthwhile for it. If you can get an aesthetically pleasing photo with the iPhone, you’ve really achieved something.


Net Labels: Free Music for the Taking

16 October 2008

A net label is a website that offers free music. It is distinguished from a site that offers a random selection of tracks by these factors:

  • The music is organised into titles, analogous to singles, EPs, albums and compilations
  • Often the work of a single artist is the subject of a title
  • Artwork accompanies the title, often of high resolution and intended for printing, so that jewel cases can be created for the title if burned to CD.

The music is given away for free. There are a number of reasons for this. The artist doesn’t want to release commercially, they are a hobbyist, the free work is promotional, etc. This means it’s legally free and legal to give to others. Often a Creative Commons licence is employed.

Those raised on a diet of commercial music will ask if the music is any good. In my opinion, the music from net labels is often very good in terms of skilled technical execution and aesthetic appeal. Rarely do I feel that a track is amateur. The point of the net label is to treat an artist’s music with respect and thus the resemblance to a commercial label operation.

I like music I can chill out to, so I have focussed on net labels that provide this type of music. Here is a list of sites that I consider to be the best.

  • Alpine Chic: Swiss electronica at its best.
  • iD.EOLOGY: German electronica, dub and hip hop.
  • Mercedes-Benz Mixed Tape: Awesome ephemeral compilations released every six weeks. A marketing vehicle for Mercedes, promoting it as a lifestyle brand. Each compilation is a mix of electronica, pop, RNB and hip hop, sometimes featuring known artists, but mostly a platform to present up-and-comers. As each new compilation is released, the previous is deleted, so these are collectables.
  • Jahtari: Amazing blend of low-tech computer music and reggae and dub. It really works.
  • Lo-Kiwi: Electronica.
  • Petit Poulet Records: Electronica.

These sites vary in that they can be considered net labels for individual artists, in other words, their own label. They still present their music in titles, so I consider them net labels.

These sites are still good, but I don’t always like the music. That’s just my opinion of course. The music still has that skilled technical execution, so it’s still good.

  • Monotonik & Friends: Huge repository of electronica and glitch/bleep (scratchy-sounding music created with low-tech computers). The titles vary widely in style, thus I don’t like everything on the site.
  • Autoplate/Thinner: Sister sites that specialise in glitchy electronica.
  • Electrobel: Electronica, some glitchy.
  • Offaudio: Spanish site. Beatier, dancier electronica.
  • One: Electronica.

Tagging is the one area in which they fall down. The tags are incomplete and lack artwork. Artwork is supplied separately, of course, except in the rarest of situations, and can be reformatted for use as album artwork. The Mixed Tapes are the worst, because the album tag is different for every song and the compilation flag is not used. I like fixing these tags, however, and this, in combination with my dissemination of the music, is my contribution to their efforts.

To keep track of the various releases, I tag the Grouping field with the website and the release number. Often there will be a specific release number, such as iD049 (iD.EOLOGY). If none, I number from the earliest, starting with 01. A title may end up with a Grouping tag something like this: www.ideology.de (iD049). I then create a smart playlist that looks for all tracks with www.ideology.de in the Grouping field, and that’s my iD.EOLOGY playlist.

Net labels have serious works available to you for free. Use them well to greatly expand your music library.


“Double-Tagging” Your CD Audio Files

10 October 2008

iTunes Store audio files contain a number of tags that can’t be done in iTunes, so audio files ripped from CDs will lack these. I tag these myself in a process that I refer to as double-tagging. This is not necessary by any means but I like the sense of completion that I get from doing this. This technique only works on the Mac because of the software I use.

Open the files in the venerable Lostify. If you check the option to add a script to iTunes, then you can select a range of songs in iTunes, then select the Lostify… link in the Script menu.

I have based my selection of additional tags on what I have observed with iTunes Store files. The tags to add are Release Date, Kind, Copyright and Content Rating.

Release Date

The release date is something you will have to research. Luckily, most CDs will be covered on the internet. I use Wikipedia, Rate Your Music, official artist sites, record label sites and the iTunes Store itself. Bizarrely, the most unreliable sources for release dates are often the official artist sites and record labels. If you find more than one date, try to take the most common one.

A note on compilations and rereleases. Consider The Chemical BrothersBrotherhood. It’s a singles compilation, released on 2 September 2008. Instead of tagging individual songs with the year that they were originally released, I tag each with this release date. The thinking is that the title on which the songs appear was released in 2008, as a discrete unit, so that’s the date to go with. It has the added advantage of sorting properly in iTunes if you sort by Album By Year. If you have individual years for the songs, it will force the whole album to the front of the list, as iTunes interprets the earliest date that appears in the album as the album date.

It’s not so clear-cut with rereleases. I’ve got a 25th anniversary edition of Deep Purple’s Machine Head. It was released in March 1972. My edition is obviously 1997. As the whole album is essentially intact and contains no new material, I have tagged this as 1 March 1972.

That’s another thing: sometimes you will not get a complete date. If you get, for example, March 1972, then make the release date 1 March 1972. If you get 1972 only, then make it 1 July 1972.

Kind

This should be set to Normal (Audio), unless you are tagging an audiobook, in which case it will be Audiobook.

Copyright

Begin this string with the Recording Copyright symbol ℗ (activate the character palette by pressing Command-Option-T, then do a search for it and add it to your favorites for ready access), then the year and the owner of the sound recording (not the artwork; these are sometimes separate), all obtained from the rear of the CD, the disc itself, or at a pinch, the iTunes Store.

That makes a very satisfying completely tagged file. You can admire your handiwork in the General tab of the Get Info dialog (copyright) and the Release Date column, which you can add to any view:


(Click to Enlarge)

Content Rating

There are three options here, Inoffensive, Clean and Explicit. The differences between these are important.

Inoffensive is the default and most iTunes Store songs are tagged as this. It doesn’t appear in iTunes. It is not possible to tag a track as Inoffensive with Lostify due to an unhandled bug, so leave it blank for now.

Explicit is self explanatory. If your CD mentions any kind of warning, then use this. Good for filtering out music that you don’t want kids to hear.

Clean is often misunderstood. It doesn’t mean Inoffensive. It is to be specifically used to indicate that it is a version of an explicit song, altered to remove explicit material. Sometimes albums in the iTunes Store are presented as both explicit and clean versions, so you can buy either. This could also apply to audiobooks and podcasts if they are altered, cleaner versions. There is very little call for this option.

I hope there are people out there that are as passionate about double-tagging as I am!


Your Music in Microcosm

10 October 2008

Do you have multiple iPods? Apart from my great love of them, driving me to collect them (I have a policy of always having the latest complete set of iPod models, broken only this year because there was no replacement for my 160Gb Classic and I got the iPhone instead of the Touch), my media library got so large that different types of iPods became a good idea.

My 160Gb Classic has every last music track on it, plus every music video (over 500). I play this at work. The beauty, of course, is the essence of the earliest iPod concept–carry all your music with you. It can be hard to select something to play. I use playlists, shuffling the whole contents and Cover Flow to aid me in this. I just wish I could get the Genius feature without having to downgrade my storage.

My Nano (8Gb) and iPhone (16Gb) necessarily cannot store much. Because of this, I have chosen to keep only the most recently added music on them. I have a playlist that keeps track of this and which forms the basis of what is to be synced. Here are the criteria:

(Click to enlarge)

This takes all the guesswork out of what to put on the iPod/iPhone. Seeing as the music is new, I probably haven’t heard it yet or it’s my latest groove-thang, so it will be at the forefront of my attention. This is another reason why I chose to add only the most recent music.

I find it interesting how much nicer it is to have this small selection of music as it is much easier to comprehend and to choose what to play.

If you have only a small-capacity iPod and you are wondering how to fill it, I recommend the last-added playlist as above.


iTunes 8 Subtleties

15 September 2008

As I was skimming through albums in Grid view, by Artist, it struck me that the grid art was always the first title in alphabetical sequence. I wondered if I could change this to another cover as in iPhoto, by pressing the spacebar when hovering over a cover. Being iTunes, this of course started playing the first song from the first album for that artist. However, I found that if you skim to the cover that you want to represent the artist, right-click and select Set Default Grid Artwork, this will have the desired effect:


There’s a new Description tag in the Video tab:


(Click to enlarge)

You can use this to tag either audio or video. Note that while you can enter a huge amount of characters in this field, analysis with Lostify reveals that this is the short description, and anything over 256 characters is truncated when written to the file. If you import the file into another iTunes library, the description will be truncated.


In the Options tab, you can set whether an audio file is Music or an Audiobook:


(Click to enlarge)

or if a video file is a Movie, TV Show or Music Video


(Click to enlarge)

These are contextual based on file type and the tag is written to the file, not just the database, which is what earlier iTunes versions did. This is a good thing when transferring files to other iTunes libraries. Note that all these and more (Ringtone, etc.) are taggable in Lostify.


Nice new tagging options, but I’m going to stick with Lostify, as it still can access more tags than iTunes 8.