iTunes Store Australia Brings on the Free Stuff

12 March 2009
iTunes Store Australia Free Content

iTunes Store Australia Free Content

US iTunes Store customers have enjoyed a wide range of free items every week, including songs, music videos, TV episodes and short films. In Australia, since its inception, we have only had one free item a week–a song–until recently. Last week there was a free “making-of” clip for the series Invincible (iTunes Store link). This week, look at the bounty laid before us: first episode of Chandon Pictures, Season 2 (iTunes Store link) (this is available as a season pass), a song and the premiere of another TV show, It’s Always Sunny in Philadelphia (iTunes Store link). I’m pleased with the increased selection and the free episode of Chandon Pictures I consider especially generous as this is being posted shortly after it has been aired on its cable station. I bought the first season when it came out and this gesture by Apple has guaranteed that I will buy this season pass.


Overlooked New Feature in Apple TV 2.3.1

4 March 2009

The Americans would not have noticed this. There is a new feature of Apple TV 2.3.1 that is of interest to iTunes users outside the US: ratings badges.

Ratings have always worked on the Apple TV for parental controls, allowing parents to prevent youngsters from watching certain content, but until now there were never proper badges to reflect the ratings of another country. Early on, the Apple TV would look at the rating, e.g. MA15+, and write it out in the system font. Later, this disappeared for ratings that didn’t match US ones, namely G and PG.

Now there are proper ratings for all Australian movie and TV ratings. The US G and PG are still substituted, and the Australian ratings are nothing more than the text of the code in a box, but they are now represented on screen. I would have preferred the proper symbols though.


iTunes Free Song of the Week: Get the DRM-Free Version

21 February 2009
iTunes Plus Free Songs of the Week (Click to enlarge)

iTunes Plus Free Songs of the Week (Click to enlarge)

Despite the move to iTunes Plus for new songs, the free song of the week has been offered in 128kbps DRM format. Songs of the Week are presented as a single-song album. What I have discovered here in Australia, for at least the last month, is that the free song has also been available in a 256kbps DRM-free version. Instead of getting the free song, click the artist name in the “breadcrumb trail”:

iTunes "Breadcrumb Trail" (Click to enlarge)

iTunes "Breadcrumb Trail" (Click to enlarge)

Look for an album with the same artwork as the free album. Ensure that it is an iTunes Plus album:

iTunes Album

iTunes Album

In that album will be the same song but in 256kbps and also free. Get that version instead:

iTunes Plus Free Song

iTunes Plus Free Song

I guess it will take a while to transition away from the old free song arrangement. Perhaps these have been decided on months in advance and so we still see them until they run out.


Managing the iTunes Plus Upgrade Process

3 February 2009

If you haven’t modified any of the tags for the music you previously bought from the iTunes Store, then the tags for the Plus replacements should match. The Plus tracks will have a new Date Added but otherwise will appear the same. The average user will be unaware of the change.

Fiddlers like myself will get into trouble if they simply do an upgrade as the tags won’t match. I always make sure my purchased music has a release date, that the album name and track number is correct (free song-of-the-week titles are usually wrong). I complete the tagging of music videos (usually they have a name and little else). I may replace the album art with one of my superior scans. You get the idea. Here are my recommendations for upgrading, all of which I followed in my own recent upgrade.

Download on a Different Computer or Library

My library is on my desktop machine. I downloaded on my laptop, which I use as a workspace to tag music before I merge it with the main library. The laptop is authorised for my iTunes Store account as is the desktop. The songs to upgrade are tracked by the Store from its own records, not based on the presence of any tracks in the library you are working with, so you can download to a different computer, even if the original songs are not there.

Alternatively, if you don’t have a secondary computer to work with, you can create a new, separate library to download to. Quit iTunes, then relaunch while holding down the Option key (Mac) or Shift key (Windows). This will bring up a dialog where you can choose an existing library or create a new one. Create one on the desktop for ease of finding in a later step. Log into the iTunes Store, click the iTunes Plus link, buy what you want (you can select what you want to upgrade now–you’re not forced to upgrade everything) and download it.

Merging with the Main Library

In this step you’ll add the new files to the existing library for checking against the originals.

If you’re using the double-library approach, quit iTunes and relaunch while holding down Option or Shift. Choose the main library. Once iTunes has launched, create a new static playlist called iTunes Upgrade. Open the iTunes library folder on the desktop. Burrow down to the iTunes Music folder and drag that folder into the new iTunes Upgrade playlist. If you downloaded on another machine, get the files across by any convenient method and drag into the playlist. As soon as one track has finished copying, hold down the Command key (Mac) or Control key (Windows) and click the checkbox next to the name. This will uncheck all the tracks and prevent them from being synced to your iPod or Apple TV before you’ve finished editing them.

Editing the Tags

Now you’ve got two sets of files: the original 128kbps protected files and the new 256kbps Plus files. Sort the playlist by Album and find the first album in the main body of the library. Change the tags of the Plus song to match that of the Protected song if necessary.

Empty the trash. Click the Plus song and delete it. Don’t empty the trash. Right-click the remaining original protected song and select Show in Finder (Mac) or Show in Windows Explorer (Windows). This will open a window with the actual file location of the song. Drag the Plus file out of the trash and put it in the song folder. Throw the protected file in the trash and empty it.

Now you’ve broken the link to the song in iTunes because you’ve deleted the file but not the database record. We do this to preserve the Date Added value, because this cannot be changed unlike other values such as Date Last Played.

Click on the song and Get Info. iTunes will tell you it can’t find it and ask if you want to locate it. You do. Navigate to the Plus version in the original location and click the Open button. Now you’ll see the Get Info dialog for that song. iTunes will also update the record to reflect that the song is now 256kbps but other metadata such as Last Played, Play Count, Rating and of course, Date Added are unchanged.

Special Considerations

This is the main procedure. You may find that the original tracks are no longer available and you may be offered an alternative, or (theoretically) they will be ignored in the upgrade process. For more on this, refer to my earlier post.

Be careful with the Finder/Explorer hack, especially the step where you choose the “lost” file. If you choose the wrong one you’ll change the record in iTunes and you’ll have a duplicate on your hands. Fixing it is messy. You would have to select the two duplicate records and delete them, which will put the file in the trash. Drag it back into iTunes and you’ll recover it to the original album, but you’ll lose all that lovely metadata for both the original song and the one you were trying to map. You’ll have to also drag the song you were trying to map to into iTunes.

Summary

I’ll admit that it’s a bit of work and if you have bought an awful lot of songs it probably isn’t worth it, but for perfectionists like myself who haven’t bought much, I think it’s a good idea from the perspective of maintaining valuable metadata.


Hidden Bonuses for iTunes Plus Upgraders

23 January 2009

I’ve been upgrading my iTunes library to Plus. Luckily, I haven’t bought much, being very much a CD preferer, so it’s not costing me much.

"Only Time" EP

Enya: "Only Time" EP

I’ve noticed a bonus from the upgrade process. This is Enya’s Only Time EP, one song of which I bought way back when the iTunes Store went live here in Australia.

The thing is, time has passed and the original EP is no longer available on the store. This is what I bought:

"Only Time" EP (Original)

Enya: "Only Time" EP (Original)

iTunes matched this release with whatever it had to hand (which is a remixed and updated version, released in 2001, a year later than the original). I paid $1.50AUS to upgrade ($0.50AUS each song). Presumably there had been three songs on the original (I don’t remember three–I’m sure that there were two songs on it and I didn’t buy one because I had that on CD). Anyway, the song I bought is not even on this new version, so effectively I paid less than the price of a single song ($1.69AUS) for a whole 4-track EP! I’m happy with that.

I suppose if there is no possible match, they won’t include it in the upgrade program. Also, I notice that the free songs I’ve been getting every week have not been included in the update, which I’m happy with, because I get them reflexively, not because I know and want the music. Consequently, a lot of them are misses, so I wouldn’t want to upgrade them. Still, it’s early days, so they may pop up in the future.


You Can’t Buy Audiobooks on the iPhone iTunes Store

22 January 2009
Ricky Gervais Guide to...Natural History

Ricky Gervais Guide to...Natural History

The next installment in The Ricky Gervais Guide to… series from Ricky Gervais, Stephen Merchant and Karl Pilkington is now available from the iTunes Store, so I thought I’d try to download it while on 3G, as I hadn’t used the store on 3G before. I was surprised to discover that a search for Ricky Gervais yields no matches, yet he’s got quite a bit of content on the store.

That means that the only audio content you can’t get from the iTunes store on the iPhone is audiobooks. Come to think of it, this may not be a crazy idea, as audiobooks tend to be large.


My New Movie Server

13 January 2009
PowerMac G5

Photo © Apple Computer, Inc.

I’m lovin’ my new movie server. The PowerMac G5 is still a good machine for recording and playing back video. Principal advantages are its two drive bays for RAID-striping up to 2Tb and built-in 5.1 audio support over TOSLINK optical audio. Finally mine is doing more than just EyeTV recording and transcoding to MPEG 4 for Apple TV.

For years I had been plotting to use my G5 in this capacity but the problem was the video connection. I tried an adapter to go from DVI to component, as my TV’s best input is component (too old for HDMI), but despite reported compatibility with my video card, I could only get 800 x 600 resolution. Then my friend pointed out the obvious: stop striving for the pinnacle of video quality in favour of something that actually works, and get Apple’s own DVI to Video adapter. Instant solution. Now I’m living the dream.

It hasn’t replaced my Apple TV, which is still the keystone of my entertainment system. I have found that it is notoriously difficult to get good results in converting DVD to MPEG 4, so I’ve limited this process to TV only, for which the benefits of fully tagged separate episodes outweigh any slight loss of quality. Considering that a movie can be stored on a hard drive in the exact same format, and thus with no loss of quality, it is worth keeping movies in this way. I use Front Row, part of Mac OS X 10.5 “Leopard”, as my interface to the movies.

To save space, and as the movie itself is the main thing you will want to play, I extract the movie itself from the DVD and discard the rest. I have used MacTheRipper to rip as “main movie only”, but it produces lousy results (often crashes after ripping and the movies crash DVD Player if fast-forwarded), so I have started to use a Windows app, DVDFab Decrypter, exclusively. This app is stable and produces error-free rips. Most impressively, it also overcomes a lot of copy protection that MacTheRipper can’t cope with. Examples: Garth Marenghi’s Darkplace (ARccOS copy protection), The Dark Knight (Warner deliberately “damaged” the disc to prevent copying). The result is a separate folder for each movie containing a VIDEO_TS folder and sometimes an AUDIO_TS folder as well. In this movie folder, put artwork for the movie from your own scans or the internet. impawards.com is one of the best sources. The image file must be called Preview.jpg (case sensitive). Front Row uses this file as artwork to illustrate the movie. It interprets a movie folder as a discrete unit, as if it were a single file with embedded artwork.

I store the movies in the following subfolders in the Movies folder in my local account:

  • Movies: For movie-only movies.
  • Music Videos: Even though I rip all music videos for iPod so that I can take them with me, some DVDs warrant the respect they deserve in terms of video and audio quality, like concerts. This folder houses the more quality-critical DVDs for home viewing. The folder structure for this folder is Artist/Title. The Title folder is the DVD folder itself, e.g. ~/Movies/Music Videos/Flaming Lips, The/UFOs at the Zoo.
  • Short Films: Some DVDs consist of a number of short films, like Wallace and Gromit. I rip the films separately and put them here.
  • Special Features: When I buy a DVD, I rip the whole of a bonus DVD for convenient access. I delete the DVD folder when I’m finished with it to free up space.
  • _Spillover Video: This is actually an alias. I have 2 x 320Gb drives in the G5 but this is not enough. As a temporary measure, I am using some space on an external FireWire drive on my other desktop. Simply mount the drive as a share, then create an alias to the spillover movie folder in the Movies folder in your local account. The share will be mounted whenever you boot. Of course, the other desktop must be online to be able to access that content. When 1Tb drives drop in price, I will buy two and replace the two 320Gb drives currently in the machine.

There is a caveat with Front Row: If you put a series of movies into a subfolder, such as Dirty Harry, the folder will appear at the bottom of the list. There is no good reason for this, but you might not think to look at the bottom for a movie series. An alternative approach is to rename the movie folders with a prefix, such as Dirty Harry 1 | Dirty Harry, Dirty Harry 2 | Magnum Force, Dirty Harry 3 | The Enforcer, etc. I use a pipe character | instead of a colon as the colon is a reserved character in Mac OS X.

Also, any folder starting with The, A or An will of course be incorrectly alphabetised. I put the article at the end, e.g. Golden Compass, The.

To control Front Row, I use Leopard’s screen-sharing feature with my laptop, then navigate using the arrow keys. This makes the laptop hot as it’s constantly refreshing the sharing window, so I tend to quit Screen Sharing once I’ve got the movie going. I’ll have to get a remote for playback. You can’t totally give up a keyboard and mouse as you need to be able to do operations like copying files, trimming the length of EyeTV recordings, etc. Sharing the screen is perfect because you don’t have to supply a keyboard and mouse for the machine.

In addition to running Front Row, I still use the machine to record TV with EyeTV, but I no longer have to transcode for Apple TV. It’s a revelation to simply play a recording. Sometimes I start watching it before it’s finished recording. Sometimes I even watch live TV!

There’s a lot to be said for the movie server. An older machine with plenty of storage makes a great complement to Apple TV, which can concentrate on movie rentals, TV shows, music and podcasts.


Anamorphic Video on iPod

26 November 2008

I’ve been experimenting with anamorphic video. I read after the the 2007 models came out that they supported anamorphic video, so the maximum matrix of 640 x 480 pixels can be used to squash a widescreen video with an anamorphic flag, so the iPod, iTunes and Apple TV would interpret it as roughly 855 x 480 pixels. Obviously the iPod would have to shrink this to 320 x 160 or so for its built-in screen.

Problem is, the results are disappointing. These two screenshots are from the same content and the exact same frame, Lemon Jelly’s ‘64-’95 DVD:

'64-'95 DVD (720 x 400)

Lemon Jelly: '64-'95 DVD (720 x 400) (Click to enlarge)

'64-'95 DVD (854 x 480)

Lemon Jelly: '64-'95 DVD (854 x 480 anamorphic) (Click to enlarge)

Lots of ugly artefacts in the anamorphic version. There are also frequent failures to resolve detail, with the effect that spots of the video suddenly go out of focus for a few frames. Movement has the occasional judder or skip. These are all present in non-anamorphic iPod rips, but far less frequent or noticeable.

I also did test rips of Sigur Ros’ Heima. What’s most disturbing about the results is the fact that the source in both cases is pristine, some of the highest bitrate, cleanest, most perfect DVD I’ve ever seen. If I ripped trash as anamorphic, the effect could only be more pronounced.

So I don’t think anamorphic is for me, despite the unassailable coolness this brings, especially as the increased resolution makes it more attractive for both iPod and computer/Apple TV use, perhaps leading to one version, not two.


Squaring Up Your Album Art

21 October 2008

For some time, iTunes has preferred square art. I first noticed this when the iTunes Store went live here in Australia. iTunes Store versions of landscape art would be modified to be square. In some cases, they appeared to be using a square cover from perhaps a vinyl single, in other cases, the artwork was chopped.

As a CD collector, I get a number of landscape covers in the form of CD singles, digipaks and slipcased jewel cases. About two years ago I began to produce square versions of landscape covers. If I want to be intellectual about what I do with my scanning, I would call myself a “reproduction artist”, “translating the artist’s vision from CD cover to digital image form”. I do try to reproduce, as accurately as possible, the full image and colour balance of the original. That means I scan the full landscape cover, for purists. However, given Apple’s products’ propensity to favour square art has led me to modify the landscapes into additional square forms. The iPod will either crop a landscape cover or add white bars to top and bottom. The iPhone will add the unsightly bars:

AC/DC • Black Ice Landscape Artwork on iPhone

AC/DC • Black Ice Landscape Artwork on iPhone

If possible, I merely crop either side down from 1130 x 1000 to 1000 x 1000. In some cases, this would crop text, so the elements need to be reworked. Here I’ve scanned the digipak version of ‘74 Jailbreak:

AC/DC • '74 Jailbreak (Digipak Landscape) (Click to enlarge)

AC/DC • '74 Jailbreak (Digipak Landscape) (Click to enlarge)

To create this square version, I cropped the left side and shrank the artist name and title slightly to fit:

AC/DC • '74 Jailbreak (Square Version) (Click to enlarge)

AC/DC • '74 Jailbreak (Square Version) (Click to enlarge)

This is a somewhat complex cover. In most cases, you can just crop. I also refer to images on the internet to get an idea of what to modify in order to achieve a square shape. Luckily, a lot of titles still come out on vinyl, and of course they are square.

So with a little artistic licence, I can create artwork that is optimised for iTunes, iPod, iPhone and Apple TV. I post both versions on my album art site.


Net Labels: Free Music for the Taking

16 October 2008

A net label is a website that offers free music. It is distinguished from a site that offers a random selection of tracks by these factors:

  • The music is organised into titles, analogous to singles, EPs, albums and compilations
  • Often the work of a single artist is the subject of a title
  • Artwork accompanies the title, often of high resolution and intended for printing, so that jewel cases can be created for the title if burned to CD.

The music is given away for free. There are a number of reasons for this. The artist doesn’t want to release commercially, they are a hobbyist, the free work is promotional, etc. This means it’s legally free and legal to give to others. Often a Creative Commons licence is employed.

Those raised on a diet of commercial music will ask if the music is any good. In my opinion, the music from net labels is often very good in terms of skilled technical execution and aesthetic appeal. Rarely do I feel that a track is amateur. The point of the net label is to treat an artist’s music with respect and thus the resemblance to a commercial label operation.

I like music I can chill out to, so I have focussed on net labels that provide this type of music. Here is a list of sites that I consider to be the best.

  • Alpine Chic: Swiss electronica at its best.
  • iD.EOLOGY: German electronica, dub and hip hop.
  • Mercedes-Benz Mixed Tape: Awesome ephemeral compilations released every six weeks. A marketing vehicle for Mercedes, promoting it as a lifestyle brand. Each compilation is a mix of electronica, pop, RNB and hip hop, sometimes featuring known artists, but mostly a platform to present up-and-comers. As each new compilation is released, the previous is deleted, so these are collectables.
  • Jahtari: Amazing blend of low-tech computer music and reggae and dub. It really works.
  • Lo-Kiwi: Electronica.
  • Petit Poulet Records: Electronica.

These sites vary in that they can be considered net labels for individual artists, in other words, their own label. They still present their music in titles, so I consider them net labels.

These sites are still good, but I don’t always like the music. That’s just my opinion of course. The music still has that skilled technical execution, so it’s still good.

  • Monotonik & Friends: Huge repository of electronica and glitch/bleep (scratchy-sounding music created with low-tech computers). The titles vary widely in style, thus I don’t like everything on the site.
  • Autoplate/Thinner: Sister sites that specialise in glitchy electronica.
  • Electrobel: Electronica, some glitchy.
  • Offaudio: Spanish site. Beatier, dancier electronica.
  • One: Electronica.

Tagging is the one area in which they fall down. The tags are incomplete and lack artwork. Artwork is supplied separately, of course, except in the rarest of situations, and can be reformatted for use as album artwork. The Mixed Tapes are the worst, because the album tag is different for every song and the compilation flag is not used. I like fixing these tags, however, and this, in combination with my dissemination of the music, is my contribution to their efforts.

To keep track of the various releases, I tag the Grouping field with the website and the release number. Often there will be a specific release number, such as iD049 (iD.EOLOGY). If none, I number from the earliest, starting with 01. A title may end up with a Grouping tag something like this: www.ideology.de (iD049). I then create a smart playlist that looks for all tracks with www.ideology.de in the Grouping field, and that’s my iD.EOLOGY playlist.

Net labels have serious works available to you for free. Use them well to greatly expand your music library.